Artist Statement for Cornelia White Swann: fugitive color I

I eagerly started this series with a limited foundation and vocabulary for a process that has a history both rich and vast. Working with plants to source pigment is a slow process, heavily dependent on the environment and time. While I’ve always felt that my work pertained to the subtleties of these elements, I was no longer led by my own timelines, but those of the seasons, a welcome and surprising challenge to my studio practice...

Read More